Clicking the links belwo will search the Oakland University
Library Library Catalog (Voyager)
for item availability. Items we don't
own can still be order for Oakland students, faculty,
and staff through InterLibrary
Loan.
BOOKS:
BREAKING CAMP (poems), Wesleyan University Press, 1968.
HARD
LOVING (poems), Wesleyan University Press, 1969.
GOING DOWN FAST (novel) Trident, 1969; Fawcett, 1981.
DANCE THE EAGLE TO SLEEP (novel), Doubleday, 1970; Fawcett,
1971.
4-TELLING (poems with Emmett Jarrett, Dick Lourie, Robert
Hershon), The Crossing Press,
Trumansburg, N.Y., 1971.
SMALL
CHANGES (novel), Doubleday, 1973; Fawcett, 1974.
TO BE OF USE (poems), Doubleday, 1973.
LIVING IN THE OPEN (poems), Knopf, 1976.
WOMAN
ON THE EDGE OF TIME (novel), Knopf, 1976; Fawcett,
l977.
THE
HIGH COST OF LIVING, (novel), Harper and Row, 1978;
Fawcett, 1980.
THE TWELVE-SPOKED WHEEL FLASHING (poems), Knopf, 1978,
THE LAST WHITE CLASS (play co-authored with Ira Wood),
The Crossing Press, 1979.
THE
MOON IS ALWAYS FEMALE (poems), Knopf, 1980.
VIDA (novel), Summit, 1980; Fawcett, 1981.
CIRCLES ON THE WATER: Selected Poems of Marge Piercy,
Knopf, 1982.
PARTI-COLORED
BLOCKS FOR A QUILT, (essays) Arbor Press, U. of
Michigan, 1982.
BRAIDED LIVES (novel), Summit, 1982; Fawcett/Ballantine,
1983.
STONE, PAPER, KNIFE (poems), Knopf, l983.
FLY AWAY HOME (novel), Summit, 1984; Fawcett/Ballantine,
1985.
MY
MOTHER'S BODY (poems), Knopf, April, 1985.
GONE TO SOLDIERS (novel), Summit, 1987, Fawcett/Ballantine,
1988.
EARLY RIPENING: American Women's Poetry Now, (anthology
edited with an
introduction), Unwin Hyman, July 1988; Harper SanFrancisco,
1993.
AVAILABLE LIGHT (poems), Knopf, February, 1988.
SUMMER PEOPLE (novel), Summit, 1989, Fawcett/Ballantine,
1990.
THE EARTH SHINES SECRETLY: A BOOK OF DAYS, (daybook
calendar), Zoland Books,1990.
HE, SHE AND IT (novel), Knopf, 1991, Fawcett/Ballantine,
1993.
MARS AND HER CHILDREN (poems), Knopf, April 1992.
THE LONGINGS OF WOMEN (novel), Fawcett, March 1994
THE LONGINGS OF WOMEN (large type), GK Hall & Co.,
1994.
CITY OF DARKNESS, CITY OF LIGHT (novel), Fawcett/Ballantine,
1996.
WHAT
ARE BIG GIRLS MADE OF? (poems), Knopf, 1997.
STORM TIDE (novel) with Ira Wood, Fawcett/Ballantine,
1998.
EARLY GRRRL (poems), Leapfrog Press,1999.
THE ART OF BLESSING THE DAY: Poems with a Jewish Theme,
Knopf, 1999.
THREE WOMEN (novel), William Morrow, 1999, Harper Torch,
2001.
SO
YOU WANT TO WRITE (non-fiction), Leapfrog, 2001.
SLEEPING
WITH CATS (memoir), Wm. Morrow, 2002.
BRITISH EDITIONS
DANCE THE EAGLE TO SLEEP, London: W.H. Allen, 1971,
paperback Pan.
WOMAN ON THE EDGE OF TIME, The Women's Press.
THE HIGH COST OF LIVING, The Women's Press, 1978.
VIDA, The Women's Press Ltd., 1980; paperback 1980,
Penguin.
BRAIDED LIVES, Allen Lane, 1982, paperback Penguin,
1983
FLY AWAY HOME, Chatto & Windus, 1984.
STONE, PAPER, KNIFE, Pandora, 1983.
MY MOTHER'S BODY, Pandora, 1985.
SMALL CHANGES, Penguin, 1987.
GONE TO SOLDIERS, Michael Joseph, 1987, Penguin , 1988.
EARLY RIPENING: American Women's Poetry Now, (Anthology
edited with an introduction),
Pandora, 1987; Penguin, 1993.
AVAILABLE LIGHT, Pandora, 1988.
SUMMER PEOPLE, Michael Joseph, 1989, Penguin, 1990.
BODY OF GLASS, Michael Joseph, April 1992.
THE LONGINGS OF WOMEN, Michael Joseph, 1994, Penguin
1994
THE LONGINGS OF WOMEN (Large Type), Chivers Press, 1994
THE EIGHT CHAMBERS OF THE HEART, Penguin, 1995.
CITY OF DARKNESS, CITY OF LIGHT, Michael Joseph, 1997,
Penguin 1998.
THE ART OF BLESSING THE DAY (poems), Five Leaves Publications,
1998.
WRITTEN IN BONE: The Early Poems of Marge Piercy, Five
Leaves Publications, 1998.
THREE WOMEN (novel), Piatkus, 2000.
BOOKS IN TRANSLATION
METTI L'AQUILA A DORMIRE (DANCE THE EAGLE), trans.
by Attilio Veraldi, Italy: Garzanti,
1972.
SMA FORANDRINGER (SMALL CHANGES), trans. by Mona Lyngar,
Norway: Pax Forlag, 1979.
DIE FRAU AM ABGRUND DER ZEIT (WOMAN ON THE EDGE), trans.
by Norbert Werner &
Hertha Zidek, Germany: Wilhelm Heyne Verlag, 1986.
KVINDE VED TIDENS RAND (WOMAN ON THE EDGE), trans. by
Arne Herlov Petersen,
Denmark: Glydendals Paperbacks, 1983.
KVINNA VID TIDENS RAND (WOMAN ON THE EDGE), Sweden:
Forum, 1982.
VROUW OP HET SCHERP VAN DE TIJD (WOMAN ON THE EDGE),
trans. by Helen Knopper,
Holland: Uitgeverij Bert Bakker, 1986.
KVINNE VED TIDENS RAND (WOMAN ON THE EDGE) trans. by
Tone Formo, Norway: Pax
Forlag, 1981.
SUL FILO DEL TEMPO (WOMAN ON THE EDGE OF TIME), Eleuthera,
Italy.
WOMAN ON THE EDGE OF TIME, Israel, Second Sex Press.
EEN HOGE PRIJS (THE HIGH COST OF LIVING), translated
by Mieke Lindenburg, Holland: Bert
Bakker, 1983.
VIDA, trans. by Arne Herlov Petersen, Denmark: Gyldendal,
1982.
VIDA, trans. by Dominique Marion, France: Acropole,
1981.
VIDA, trans. by Tone Formo, Norway: Pax Forlag, 1980.
VIDA, Holland, Bert Bakker.
VIDA, Helsinborg, Sweden: Forum, 1983
JILL OG DONNA (BRAIDED LIVES), trans. by Ida Elisabeth
Hammerich, Denmark: Gyldendal,
1983, Gyldendals Paperbacks, 1985.
LAEREAR (BRAIDED LIVES), trans. by Eli Oftedal, Norway:
Pax Forlag, 1983.
VANINNOR (BRAIDED LIVES), Sweden: Forum Annika Preis,
1984.
FLY AWAY HOME, Norway, Grondahl.
FLY AWAY HOME, Sweden, Forum.
FLYV HJEM (FLY AWAY HOME), trans. by Hanne Tang Grodal,
Denmark: Gyldendal, 1985,
reprinted 1988.
LA SAISON JOLIE (GONE TO SOLDIERS), trans. by Francoise
Mayneris, France: Stock, 1987.
FARE FARE KRIGSMANN (GONE TO SOLDIERS, 2 volumes), Norway:
Pax Forlag, 1987.
I KRIG (GONE TO SOLDIERS), 2 volumes, Denmark, translated
by Hanne Tang Grodal, Gyldendals
Paperbacks, printed in Denmark 1990.
DEN LANGA NATTEN (GONE TO SOLDIERS), Stockholm, Sweden:
Oversattning Annika Preis,
Forum, 1989.
GONE TO SOLDIERS, Germany, Bunt Buch.
GONE TO SOLDIERS, Holland, Uniebock.
I GIORNI DELL'ODIO (GONE TO SOLDIERS), translated by
Grazia Gatti, Milano, Italy:
Sperling and Kupfer, 1988, paperback 1993.
DEN LANGA NATTEN (GONE TO SOLDIERS), Sweden, Forum,
1989.
HET STILLE FRONT (GONE TO SOLDIERS) Van Holkema &
Warendorf, 1990 (Dutch).
SUL FILO DEL TEMPO (WOMAN ON THE EDGE OF TIME), trans.
by Andrea Buzzi, Italy:
Eleuthera, 1990.
SOMMER VENNER (SUMMER PEOPLE), Gylendal, Denmark, translated
by Tim Kane,1991.
SHIRA (HE, SHE AND IT), Gyldendal, Denmark, translated
by Birthe Lundsgaard, 1993.
EN FANTASTISK MANN (HE, SHE AND IT), translated by Tone
Formo, Pax Forlag, Oslo,1993.
DONNA UND JILL (BRAIDED LIVES), translated by Heidi
Zerning, Argument-Verlag, Hamburg,
Germany, 1994.
CYBERGOLEM (HE, SHE AND IT), Eleuthera, 1995 (Italian).
KVINDERS LAENGSLER, (LONGINGS OF WOMEN) Gyldendals Paperbacks,
1996 (Danish)
DESIRS DE FEMMES - Belfond 1995 (French)
SEHNSUCHTE - (THE LONGINGS OF WOMEN) German. Roman edition
Ariadne 1996.
FRAU AM ABGRUND DER ZEIT (WOMAN ON THE EDGE OF TIME)
Zweite Reihe 1996.
WOMAN ON THE EDGE OF TIME Japanese Translation, Kazuko
Kondon, 1997.
POETRY IN TRANSLATION
"Burokratische Verwandlung" ("Metamorphosis
into bureaucrat"), Frauen gemeinsam sind stark!
(WOMEN'S LIBERATION), Verlag Roter Stern, 1977.
"Ein kunstliches Stuck", translated by Miriam
Frank; Frauenkalender 1978.
"La Mas Clara Alegria", trans. by Beth Miller
in SIETE POETAS NORTEAMERICANAS
CONTEMPORANEAS, Universidad Nacional Autonoma de Mexico,
1978.
MANEARET (The Lunar Cycle), trans. by Merete Rod Larsen,
Norway: Pax Forlag, 1983.
"Raiskausruno" ("Rape Poem") in
Finnish 1987 calendar Naisten Rauhankalenteri.
"Vennen" ("The Friend"), translated
by Merete Alfsen, KVINNERS DIKT OM KJAERLIGHET,
Norway: Bokklubbens Lyrikkvenner, 1987, p. 100.
"Le corps de ma mere" ("My mother's body"),
bilingual, translated by Michel Pasquier and Olivier
Apert, Aires 9, summer, 1989, p.20-26.
"Kragin" ("The Crunch"), "Arkan
kulmas kambris" ("I awoke with the room cold"),
"Kreeka
kassid" (The cats of Greece"), "Kogunegem
joele" (Let us gather at the river"), translated
by
Indrek Tart and Julian Urt into Estonian in Paevaleht,
8 April 1990, p.2.
NON-FICTION IN TRANSLATION
"Memory Annex" in Dutch ONDER TWEE OGEN,
Amsterdam: Contact, 1988, p. 133-136.
"Die grobe kalte Wut", The Grand Coolie Dam;
WOMEN'S LIBERATION/FRAUEN GEMEINSAM
SIND STARK!, Verlag Roter Stern, 1977.
Autobiography from CONTEMPORARY AUTHORS, Ariadne Forum:
Bausteine fur eine
feministische Kultur, Argument Verlag, Hamburg, Germany,
1993/94.
POETRY IN PERIODICALS
"Dialectic," "Ceremony", Generation,
vol.8, no.1, Fall 1956, pp.14-15.
"The survivor", Generation, vol.8, no.2, Winter
1957, p. 25.
"Library garden", Michigan Quarterly Review,
Spring 1958.
"The widow", "Dowager, down at heels",
Tri-Quarterly, Winter 1959.
"Antaea", "Icon", Transatlantic
Review, Spring 1961, pp.66-67.
"Night piece", "Exactly how I pursue
you," NOW, January 1962.
"Bole and blossom and briar", December Magazine,
Winter 1963.
"Girl in white", "A few ashes for Sunday
morning," Epoch, Fall 1963.
"Song", Michigan Quarterly Review, Summer
1963.
"Adolescent waking", "Becoming a god",
"Your eyes are hard, and other surprises",
Epoch, Fall
1964.
"A kid on her way", "Postcard from the
garden", Carleton Miscellany, Summer 1965.
"World problem", "S. dead", "Clinic
hallway", Things, no.2, Summer 1965, pp.10-12.
"This prowling zoo", "Leaves instead
of rice", Chelsea, #l7.
"Compounded interest", Epos, vol.17, no.1,
Fall 1965, p.15.
"A valley where I don't belong", Transatlatic
Review, vol. 19, Fall 1965, pp.72-73.
"A cold and married war", Fiddlehead, Summer
1966.
"August, submerging", Penny Paper, Radical
Arts Project, Vol.1, no.1, Oct. 21, 1966.
"Visiting a dead man on a summer day", Carleton
Miscellany, Winter 1967.
"The tour", American Dialogue, vol.4, no.2,
Autumn 1967, p. 11.
"Hallow Eve with spaces for ghosts", Prairie
Schooner, Fall 1967.
"August", Prairie Schooner, Spring 1967.
"Gasman invites the skyscrapers to dance",
"The skyscrapers of the financial district dance
with
Gasman", "Tunneling", "Dismissal",
"Concerning the mathematician", Hanging Loose,
#2.
"Sign", "A married walk in a hot place",
Shenandoah, Fall 1967.
"Thing-song", Trace, vol.3, Winter 1967-68,
p.351.
"Sunday evening", The Transatlantic Review,
no.27, Winter 1967-68, p.101.
"Half past home", "Why the soup tastes
like the Daily News", Hanging Loose #3, 1968.
"I am a light you could read by", "The
cyclist", New, vol.6, April 1968, pp.30-31.
"Rain falls on Ioannina", Hanging Loose: American
Writers in Greece, vol. 4, Winter 1967.
"Curse of the earth magician on a metal land",
"Community",CAW, vol.1, 1968, pp.84-85.
"The friend", "Missing person",
"Afterlife", Hanging Loose, #5, 1968.
"Becoming strangers", "Green, the color
of katydid", Prairie Schooner, Winter 1968-69.
"The attenuation", "The death of the
small commune", Minnesota Review, Vol. 8, #4, 1969.
"Wedding pictures", "The organizer's
bogeyman", "Easy", New, #8, Dec. 1968,
pp. 1-5.
"Sojourners", "Trajectory of the travelling
Susan", "Absence becomes a fact", Poltergeist
II, 1968,
pp.1-3.
"Erasure", "I still feel you", "The
neighbor", Carleton Miscellany, 1969.
"Metamorphosis into bureaucrat", Motive, vol.29,
#6 & 7, March-April 1969, p.24.
"How we marry each other", "Fathers and
Sons", "Walking with you unknown", Premiere,
#7,
1969, pp.46-48.
"Address to the players", Liberation News
Service, #148, March 15, 1969, p.9.
"Walking into love", Hanging Loose, #7, 1969.
"Joy as a point", Apple, #3, 1969, p. 23.
"Someplace else", "I will not be your
sickness", "Never-never", Hearse, #10,
1969, pp.16-17.
"Song of the fucked duck", Hanging Loose,
#8, 1969.
"Bronchitis on the l4th floor", Minnesota
Review, Vol. IX, #2, 1969.
"Unclench yourself", "The connection
is broken", "16/53", "Hare in Winter",
New, #10, September
1969, pp.28-30.
"In praise of salt and water", Leviathan 3,
1969, p.34.
"In family", "Your face", "Somehow",
"After the execution: A manual of etiquette",
"Finger-song",
Pyramid, Fall 1969.
"With child", "Susan in the magician's
cave", "A long reconnaissance", "Waking
one afternoon in my
best dress", University of Tampa Poetry Review,
#16, 1969, pp. 6-7.
"Letter to be disguised as a gas bill", Mass.
Review, Vol XII, #2.
"Meditation in my favorite position", Transatlantic
Review, #31, Winter 1968-69, pp.57-58.
"Agitprop", "Plato`s trees", "Summer
school", Hanging Loose, #10, 1969.
"Magnetic storm", "The fairly formal
seduction", Hearse, #14, 1970, pp.35-36.
"The sacrifice", "The fear", Hearse,
#13, 1970, p.1.
"Addressing my backbone", "The winning
argument", Hanging Loose, #11.
"Witnessing your wedding", "The hotel
by the Turkish bridge", Hanging Loose, #13, 1970.
"A work of artiface", Leviathan, vol.2, #1,
May 1970, p.43.
"Burying blues for Janis", Up from Under,
vol.1,#3, Jan.-Feb. 1971, p.54.
"The mimic", New, #16, September-October 1971,
P.41.
"A shadow play for guilt", Earth's Daughters,
February 1971.
"Night letter", Aphra, vol.2, #2, Spring 1971,
pp.53-54.
"Unlearning to not speak", Folio, October
1971.
"Elements of sisterhood", Off our Backs, Spring
1971.
"Due process in Calumet City", Free Women,
1971.
"A just anger", "I woke with the room
cold", "Beautiful weeper", Reflections,
#l, 1971, pp.2,9,17.
"The woman in the ordinary", 100 Flowers,
1971.
"The nuisance", The Little Magazine, vol.5,
#3 & 4, Fall/Winter 197l-72, p.13.
"Gracious goodness", "Make me feel it",
"There is no known way to tickle a clam",
Hanging
Loose, #14, 1971.
"When the drout broke", Unicorn Broadside,
1971.
"Catalytic", The Second Wave, Vol. 1, #3,
1971, p.7.
"Kneeling here I feel good", "Councils",
"The visiting poet drag", Hanging Loose, #16,
1971.
"The best defense is offensive", "Hindsight",
"The clearest joy", Hearse, #15, 1971, pp.6-8.
"Law and order", Berkeley Tribe, Vol 6, #7,
Sept. 24-Oct. 1, 197l, p.2.
"Riptide", Good Times, Summer 1971.
"The matter: the tower struck by lightning reversed",
"The influence passing, the foundation or
base: knight of swords", "The influence coming
into play: the seven of pentacles", "The
aim, the best that can be hoped for: the magician",
"Querent's attitude as it bears upon the
matter: the three of cups", University Review,
#22, 1972, pp.17-18, 31.
"Barbie doll", Moving Out, March 1971.
"What you waited for", Abortion: The Right
to Choose, 1971, p.14.
"The big one", Unmuzzled Ox, February 1972.
"In the men's room(s)", Aphra, vol.3, #3,
Summer 1972, pp.15-16.
"For a radical poet", The Boston Phoenix,
May 1973.
"The spring offensive of the snail", Liberated
Guardian, Spring l972.
"Infighting", "The turn", Harrison
Street Review, #3, 1972, p.16.
"Three weeks in the state of loneliness",
"Bloody Kansas in spring", Hanging Loose,
#17, 1972.
"Cold head, cold heart", "Photographing
the cameraman," "Meetings like hungry beaks",
"Two
higher mammals", "Taking it softly",
Hellcoal Annual, #2, 1972, pp.117-121.
"Laying Down the Tower", a sequence of eleven
poems, published as a special center section of Off
our
Backs, March 1972, pp.11-18, and New, #19, Fall 1972,
pp.4-18.
"He cuts loose", Everywoman, Vol. 3, #l Issue
29, February 1972, p.10.
"A shadow play for guilt", The Lamp in the
Spine, #5, Fall l972, pp.28-30.
"Making love", Equal Time, 1972, p.66.
"The thrifty lover", Unmuzzled Ox, Vol. 2,
#1,2, 1972.
"Back and forth", "The unaccepted confession",
Clown War, #2, Nov. 1972.
"Red brick monument", "I evoke the grey
fox", "The hungry ear", Some, #4, 1973,
pp.60-64.
"Contribution to our museum", "Coming
through the air", Street Cries, 1973, pp.8,31.
"To the pay toilet", The Bishop's Pawn, August
1973, Vol.1, #8, p.2.
"Rough Times", Rough Times, Vol 3, #4, Feb/Mar.
1973, p.20.
"She leaves", "Marking a place",
Nevermind, Vol l, #l, 1973.
"For a radical poet", The Boston Phoenix,
May l, 1973.
"Doing it differently", Anon, Vol.7, 1973,
pp.9-14.
"The bumpity road to mutual devotion", "Making
Contact", Aye, Vol. 1 #l, 1973.
"Lies", Ploughshares, Fall 1973.
"Daily life of the worker bee", The Second
Wave, Fall 1973.
"Women's laughter", Elima, #l, 1973, pp.110-111.
"All clear", "After the execution: a
manual of etiquette", Sojourner, #l, 1974, pp.23-24.
"A short dark turning", Lamp in the Spine,
Fall/Winter 1973-74, pp.144-145.
"High frequency", "Different colors of
regret", Chelsea, 1973.
"Circling", Best Friends, #3, 1973.
"January thaw", Whirlwind, 1973.
"To be of use", "We become new",
Lunch, October 1973.
"Cod summer", "Seedlings in the mail",
Poetry Now, Vol 1,#l,1973.
"The quiet fog", Southern Poetry Review, Vol.
3, 1973.
"Healing the weariness", Ironwood, 3, Spring/Summer
1973.
"Roll on Detroit", Jam To-day, #, 1973.
"Indian pipe", "On Castle Hill",
Mosaic, #3, Winter 1973/74, pp.6-7.
"The summer invasion and the fall", "In
transit", Wednesday Nights, 1974, pp.18-20.
"Sealed night", Sunbury, Vol. 1, #2, October
1974, pp.73-74.
"A certain party", Best Friends, #4, Fall
1974.
"A proposal for recycling wastes", "The
ordinary gauntlet", l3th Moon, Vol. 2, #l, 1974.
"You wake up on Great Jones St. alone for once",
"Sunflower song", "Elsewhere", "Carried
over
Michigan", Connections, #3, Fall 1974.
"Living in the open", Anon, #8, 1974, pp.64-66.
"Skimpy day at the solstice," The Atlantic
Monthly, September 1974.
"The taste of fatigue", "The vocation,
like a pit", Aye, Vol 2, #l, Oct, 1974.
"Wreath of burrs and larkspur", Out of sight,
#98, September 1974.
"You don't understand me", Mosaic, #4, 1974,
p.3.
"The ritual", Sistrum, 1974, Ann Arbor, MI.
"Fitting together", Poetry Now, Vol l, #3,
1974.
"Looking at quilts", Aphra, Vol.5 #3, Fall
1974, pp.24-25.
"The token woman", Chomo-Uri, Vol. 1, #2,
Fall 1974, pp.4-5.
"Homesick song", New, #22 & 23, Fall/Winter
1973-74, p.37.
"Between the end and the acceptance of the end",
"People of the shell", "Daphne",
The New Salt
Creek Reader, Vol.6, #2, Spring 1974, pp.72-74.
"Missoula rape poem", Red War Sticks, 1974.
"Return match", "Phases of the sun",
Seneca Review, Vol 5, #1, May 1974.
"The daily life of the worker bee", Second
Wave, Vol 3, #2, 1974, p.21.
"Exodus", "The new novel", Some
Broadside, 1974.
"The meaningful exchange", "The long
drought", "The doughty oaks", "Promises,
Threats",
"Complaint of the exhausted author", The Little
Magazine, Vol.8, #3 & 4, 1975, pp.41-47.
"An eager volunteer", "She stands alone
in the sixth week", Bad Breath, Winter 1975.
"Images emerging", Poetry Now, Vol. 2 #5,
1975, p.17.
"The rape poem", Woman Tide, Vol.1, #2, April
1975.
"Eye contact", Connections, April 1975.
"Sutter's gold", "The box," Big
Moon, Winter, Vol. 1, #l, 1975, pp.55-57.
"The breast", "Childe's ballads revisited",
"In transit", The Speculum, #2, 1975, pp.25-28.
"Rented door", "Man hung on himself",
Bosarts, Vol. l, #3, January 1975, p.17.
"The incumbent", Aspen Leaves, 1975, p.14.
"The window of the woman burning", Sunbury,
#3, 1975, pp.65-66.
"Hello up there", Earth`s Daughters, 5/6,
Fall 1975.
"Flat on my back", "Who might have been
friends", The Hampden-Sydney Poetry Review, Spring
1975.
"At the core", The Atlantic Monthly, December
1975.
"The woman in the ordinary", "A work
of artifice", "A just anger", "To
be of use", Women's
Perspectives, Vol. 3, #l, October 1975, p.6.
"The meaningful exchange", Ten Michigan Women
Poets, 1975.
"Ghosts", American Poetry Review, Vol 4, #6,
1975.
"The homely war", Poetry Review, Vol. 2, 1975.
"Athena in the front lines", Room of One's
Own, Summer 1975.
"For Inez Garcia", Off Our Backs, Vol.5, #4,
April/May 1975, p.21.
"Unlearning not to speak", Randolph/Macon
Women's College Alumni Bulletin, Vol 69, Fall 1975,
p.20.
"The air like stained glass cuts me", Word
Weavings, December 1975.
"Phyllis wounded", "A pain in the head",
"Sour is the victory", "For Shoshana"
The Feminist Art
Journal, Vol.4, #4, Winter 1975-76, pp.34-35.
"Insomnia", "The stingy plumtree",
The Blacksmith, 1975, pp.58-59.
"Sand roads", The Atlantic Monthly, August
1975.
"To the TV Interviewer", "The dry edge
of nostalgia", Best Friends, Vol.5, January 1976,
pp.86-87.
"Braille", Bits, 4, July 1976.
"Expecting", Painted Bride Quarterly, Winter
1976.
"Woman of letters", Connections, 1976.
"The root canal", Hard Pressed, #2, 1976.
"Spring Planting", Provincetown Poets, Vol
2, #l, 1976, p.46.
"After swimming", "Beauty I would suffer
for", Mass. Review, #l, 1976.
"A bonded affair", The Painted Bride Quarterly,
Vol 3, #4, 1976.
"Trying to attract your attention without being
too obvious", "Slowly disentangling",
"Two in the bad
morning", "Nightcrawler", Sun and Moon,
#2, Spring 1976.
"Sacramento, Colorado springs, Geneva, Middlebury",
The Little Magazine, Vol 10, #l,2,
Spring/Summer 1976, pp.31-32.
"For shelter and beyond", Sojourner, Vol 2,
#2, October 1976, p.9.
"Who ever forgives?", Out of Sight, Vol. 3,
#2, 1976.
"Hummingbird", Poetry Now, Vol 3, #2, 1976.
"Doors in the wind and the water", "War,
long war," Moon and Lion's Tailes, Vol 2, #2, 1976,
pp.9-12.
"How I weave trouble", "My chart",
Little Magazine, Vol l0,#l,2, 1976, pp.30-33.
"Crows", l00 Flowers Anthology, 75/76.
"What is permitted", Moondance, 1977.
"You ask why sometimes I say stop", Outpost,
June 1977.
"Going in", Gravida, l2, Vol. 3, #4, 1977,
p.53.
"The summer we almost split", Out of Sight,
1977.
"The engulfing garden", The Little Magazine,
Vol.11, #1, Spring 1977, p.6.
"Item:me", Painted Bride Quarterly, Vol. 4,
#2, 1977.
"Smalley bar", Pulp, Summer 1977.
"Broad daylight", "The summer invasion
and the fall", Poets On, #2, 1977.
"If they come in the night", "The Market
Economy", Red Weather, Vol.1, #2, Winter 1977,
p.3.
"In the wet", Pulp, Summer 1977.
"A gift of light", Minnesota Review, Spring
1977.
"The twelve-spoked wheel flashing", Open Places,
June 1977.
"Three months exile", Hampden-Sydney Poetry
Review, Winter 1977.
"What the owl sees", Calyx, Vol 2, #1, 1977.
"Five thousand miles", Speakout, Summer/Fall
1977.
"The Greater Grand Rapids lover poem", The
Little Magazine, Vol.11, #1, Spring 1977, pp.6-8.
"The Lansing bad penny come again blues",
Open Places, June 1977.
"Your eyes where I float", Provincetown Magazine,
Vol. l, #l, June 1977, p.11.
"Nothing you can have", Mass. Review, Spring
1977.
"Archipelago", Painted Bride Quarterly, Vol
4, #2, 1977.
"The first salad of March", Outpost, June
1977.
"The love of lettuce", Speakout, Summer/Fall
1977.
"Martha as the angel Gabriel", The l3th Moon,
Vol 3, #2, 1977.
"Slow light of the firefly", "Under Red
Aries", Mississippi Mud, 1977.
"Snow in May", Open Places, June 1977.
"Moon child", "What it costs", "The
poetry festival lover", Cedar Rock, Vol 2,3, Summer
1977.
"The air like stained glass cuts me", Calyx,
Vol. 2, #l, June 1977.
"Short season", Shankpainter, l4, 1977, p.68.
"Arriving", "My mother's novel",
"What she tells herself before dialing the number
she never has to
look up", "Will we work together", Painted
Bride Quarterly, Vol 4, #2, 1977.
"Inertia is a kind of death", Open Places,
Fall/Winter 1977.
"Kneeling here, I feel good", Organic Gardening
and Farming, l0/76.
"The low road", Sister Courage, November 1977.
"Distance makes things smaller", Poets On,
Vol 1, #2, 1977.
"Jay", "Crows", "The rose and
the eagle", "Ask me for anything else",
Poetry Now, Vol 3, 4-6,
1977.
"You'll do it", "The meek inherit",
Speculative Poetry Review, #2, 1977, p.1.
"Michigan Jenny", "Waiting Outside",
Tendril, #1, Winter 1977-78.
"Argiope", Real Paper, December l7, 1977.
"Arofa", "The man with too many women
in his life", Poets On, Vol 2, 1978.
"What the owl sees", Buckle, Vol.1, #2, Spring/Summer
1978.
"The wife", "The wrong anger", "For
strong women", "Limited but fertile possibilities
are offered by
this brochure", Chrysalis, #4, 1977, pp.84-87.
"Casual harm", Best Friends, #6, Winter 1977,
p.37.
"The Bonzai tree", Frauen Kalender, Germany
1978.
"Teaching experience", Mississippi Mud, #l7,
1977.
"My mother's novel", The Pushcart Press, III,
1978.
"Sentimental poem", Bits 8, July 1978.
"Cho-cho", "Woody's wool", "The
name I call you", "Night flight", Croton
Review, Vol. l, #l, Summer
1978.
"The cast off", The Spirit that Moves Us,
Vol 3, #3, Summer 1978.
"Aries and Capricorn", Tendril, #3, Fall 1978.
"When a friend dies", Hard Pressed, #4, 1978.
"The purge", "From the tool and die shop",
"Leonard Avenue", "Culture l0l",
"The inquisition",
Gallimaufry, #13, 1978, pp.91-95.
"The deck that pouts", "Against aquariums",
Buckle, Vol.2, #l, Fall/Winter 1978.
"Excursions, incursions", "September
afternoon at 4 o'clock", Open Places, #26, Fall/Winter
78-79.
"Apron strings", Earth's Daughters #8, Spring
1978.
"Attack of the squash people", Shankpainter,
#l7, Fall 1978, p.21.
"The fisherman's catalogue: a found poem",
The Hampden-Sydney Poetry Review, Summer 1978.
"Season of hard wind", "The damn cast",
Poets On, Vol 3, #l, Winter 1979.
"Crescent moon like a canoe", Painted Bride
Quarterly, Vol 5, #l,2, 1979.
"The inside chance" Blue buildings, #2, 1979.
"Rainy fourth", The Hudson River Anthology,
Vol 8, 1979, p.56.
"The long migration", "Snow blink",
"Intruding", "The disturbance",
Pulp, Vol 5, #2, 1979.
"Right to life", Sojourner, August 1979, p.7.
"The long death", The Guardian, Vol.31, #43,
August l5, l979, p.16.
"May apple", "Loose woman", Paintbrush,
Vol 6, #ll, Spring 1979.
"At the wellhead", Lady Unique, Cycle 4, 1979.
"Agitprop", "The market economy",
Poetry Now, Vol. 4, #5, l979.
"To have without holding", "Cats like
angels", Waves, #2, Summer 1979.
"Morning athletes", "The longest night",
Open Places, #28, Fall 1979.
"The world comes back like an old cat", "Dirty
poem", "Wrong Monday", Aspect, #76, 1980,
pp.51-52.
"For the young who want to", Mother Jones,
Vol V, #IV, May 1980, p.20.
"Out of the hospital Peter", "December
13, 1979", "Why in Toronto", "Snarl
for loose friends", Pulp,
Vol 6, #l, 1980.
"The moon is always female", "Cutting
the grapes free", Open Places, #28, Spring 1980.
"Tumbling and with tangled mane", Fireweed,
#5,6, Winter/Spring 79-80.
"The letter returned", The Poetry Miscellany,
#9, 1980.
"The view from the street", Giltedge, Vol.l
, 1980, p.80.
"The long death", Sierra, Vol.65, #4, July/August
1980, pp.32-33.
"Let us gather at the river", Pulp, Vol 6,
#2, 1980.
"Ragged ending", Ploughshares, Vol 6, #2,
1980.
"Closing", Hard Pressed, #2, 1981.
"The annealing", Partisan Review, #1, 198l.
"The thrifty lover", The Unmuzzled Ox, #22,
Winter 1981.
"Death of the Hungarian red pepper bush",
National Forum, Vol.60, #4,Fall 1980, p.41.
"False spring", Calendar of Contemporary Poets,
Cody's, San Fran, Ca,1980.
"The surf of joy pounding", "On New Year's
Day", Akros, #4, Spring 1981.
"Digging in", "The weight", "A
man and his anger together", The Poetry Miscellany,
#10, December
1980.
"Ascending scale", Negative Capability, Vol
1, #2, October 1981.
"It breaks", "The ultimatum waffle",
Croton Review, #4, 1981.
"When a friend dies", "Will we work together?",
Poetry Now, #4, 1980.
"Life preserver, my love", "For mourning",
Images, Vol 6, #3, 1980.
"A key to common lethal fungi", Tendril, #11,
Summer 198l.
"Mrs. Frankenstein's Diary", "The pleasure
principle", "The doe", "Eating my
tail", "The back
pockets of love", Cedar Rock, Vol 6, #3, l98l.
"Sabbath of mutual respect", The Lunar Calendar
'82, Boston, Ma. 198l.
"In which she begs", "Homecoming",
The Connecticut Poetry Review, #l,8l-82.
"The consumer", Monthly Review, Vol. 33, #5,
October 1981, p.63.
"Toad dreams", Mid-South Writer, #2, 1981,
p.4.
"Seven of Pentacles" from "Laying down
the Tower" from TO BE OF USE, Ridge Review, Vol
l, #l,
September 1981.
"Absolute zero in the brain", The Berkeley
Showcase #3, 1981.
"The matrimonial bed", Akros, #5, Fall 1981.
"Ashes, ashes all fall down", The Poetry Miscellany,
#ll, 1981.
"Jill in the box", Kalliope, Vol 4, #2, Winter
1982.
"What goes up", Vanderbuilt Poetry Review,
l982.
"Charm for attracting wild money", Poetry
Now, Vol VI, #4, Spring 1982.
"Two peach trees", "Touch", Poetry
Now, March 1979.
"In search of scenery", Real Paper, 1978.
"Where nothing grows", "Being left",
Pulp, 1980.
"Stone, paper, knife", Open Places, #34, Fall
1982.
"The pool that swims in us", Whaling City
Review, Fall 1982.
"O!", The Lunar Calendar, '83, Boston, Mass.
July l983.
"The common living dirt", "On technique",
"Northern lights of the skull", Manhattan
Poetry
Review, Spring 1982.
"From something, nothing", Poetry Now, Vol
VI, #5, Summer 1982.
"Laocoon is the name of the figure", "Homage
to Dr. Lorde-Heinstein", Iowa Review, Vol II, #2,3,
Spring/Summer 1981.
"It weeps away", "A story wet as tears",
Barnwood, Vol.ll, #1, Summer 1982, pp.6-7.
"Housekeeping", Cedar Rock, Fall 1982.
"Unbuttoning", "The high arch of summer",
Negative Capability, Vol 2, #4, Fall 1982.
"The good go down", Star Line: NEWSLETTER
OF THE SCIENCE FICTION POETRY
ASSOCIATION, Vol. 6, No. 4, July/August, 1983.
"Reconciled", "Building is taming",
Tendril, No. l4/l5, 1983.
"A visit from the ex", "The discarded",
Poets On, Vol 2, #l, Winter 1983.
"Why marry at all?", "West Main Book
Store Chickens", Tarasque I, 1983 pp.80-81.
"Infidelity of sleep", "Dry July",
Manhattan Poetry Review, Vol 2, Winter 1982/83.
"Mornings in various years", "A debate
on posture", "On mental corsets", Another
Chicago Magazine,
#8, 1983.
"Listening to a Speech", "Out of Sight",13th
Moon, Vol 7, No. 1 & 2, 1983.
"Six Underrated Pleasures", Open Places, Number
36, Fall/Winter l983.
"Where is my Half-used Tube of Tom's Fennel Toothpaste
Tonight?", Light Year '84, Bits Press,
Cleveland, 1983, pp.98-99.
"Shaping our breath", Croton Review, Number
6, 1983.
"A Visit From the Ex", San Marcos Review,
Women Poets Special Issue, Spring, 1983, p.53.
"They inhabit me", Manhattan Poetry Review,
3, 1983-4.
"The Disinherited", Poem the Nukes, ed. Barry
Zuckor, Hot Doggerel Press, Cleveland Heights, Ohio,
1983.
"First Coming", "Sweet Ambush",
Jam To-Day, Number 10, 1983.
"What We Fail to Notice", "Touch tones",
Mudfish, 1984.
"My mother's body", Sojourner, February, 1984,
p.18.
"Nailing Up the Mezuzah", Barnwood, II:4,
Summer 1983, pp.6-7.
"Out of the rubbish", Negative Capability,
Vol. III, No. III, Summer, 1983.
"Deer couchant", "Of pumpkins and ghosts
I sing", IMAGES A Poetry Magazine, Vol. 9 No. 2.,
1983.
"Silk Confetti", raccoon 14, January 1984.
"The Chuppah", Lilith, Vol.11, Fall-Winter
1983, p.25.
"Every leaf is a mouth", "The wine",
Kalliope, Vol. 6, No. 1., 1984.
"Tashlich", "Return of the prodigal darling",
"How we make nice", "The place where
everything
changed", Negative Capability, Vol. IV, Number
II, Spring, 1984.
"Magic mama", Women of Power, Premier Issue,
Spring, 1984.
"Proximity fuses", "Blue Tuesday in August"
The Croton Review, No. 7, 1984.
"The night the moon got drunk", Southern Humanities
Review, Vol. XVIII No. 3, Summer 1984.
"La Dolce Far Neinte, Revised", "Summer
Mourning", IMAGES, Vol. 10, No. 1, 1984.
"Your cats are your children", Steppingstones,
Anniversary Issue: Liberation, 1984.
"Putting the good things away", Barnwood,
Vol. III #2, Fall 1984, pp. 4-6.
"Still Life", "The Listmaker", "Going
into town to vote in the storm", Manhattan Poetry
Review 4,
Winter 1984-5.
"Down", A Delicate Fire, Earth's Daughters
23, 1984.
"Breaking Out", "The Annuity", The
Harbor Review, #4, U Mass, 1984, pp. 36-39.
"Peaches in November", Kentucky Poetry Review,
vol. 20, No. 2, fall, 1984.
"The wine", International Women Artists Archive
News, December 1984.
"The sun and the moon in the morning sky of Charlotte,"
Southern Poetry Review, Fall, 1984.
"This small and intimate place", Country Journal,
June 1985, p.75.
"The faithless", The Atlantic, April 1985,
p.117.
"The blah blah blues", Lips, #9, 1985, p.
1.
"Eat fruit", Light Year '86, pp.192-193.
"Loving the crone", Sojourner, October 1985,
Vol.11, #2, p. 32.
"Dog days dogged rag," Lips, #11, 1985, p.
48.
"Moves on the ceiling," The American Voice,
#1, 1985, p. 16.
"The bottom line", Poets On:, Vol. 10, No.
1, Winter 1986, p.11.
"Something to look forward to", Calyx, Vol.
9 #2 & 3, Winter 1986, p.86.
"Dartmoor", "How divine is forgiving?",
The Massachusetts Review, Vol. XXVI, #4, Winter 1986,
p.
544-546.
"Basic mammalian behavior 101", Groundswell,
Vol 2, #1, Winter 1986, p.100- 101.
"Dog street number", "A penetrating cold",
The Southern California Anthology, Vol. IV, 1986,
p. 111-114.
"The new year of the trees", New Traditions,
#3, Summer 1986, p.80.
"Aftermath", Greater New Bedford/Fall River
Area Arts and Entertainment Guide, April/May/June
1986, p. 20.
"Down the road, down the road", Poets On:,
Vol. 10, #2, Summer 1986, p.6-7.
"Dead waters", The American Voice, #3, Summer
1986, p.77.
"Implications of one plus one", "Hard
Time", Calapooya Collage 10, Summer 1986, p.20.
"Arles, 7 p.m.", Light Year '87, Bits Press,
Cleveland, 1986, p. 162-3.
"Daughter of the African Evolution", Cotton
Boll, Vol. 1, #4, Summer 1986, p.12.
"We don't have much to say to each other",
Footwork '86, p. 54.
"Burial by salt", Manhattan Poetry Review,
#7, Summer 1986, p. 6-9.
"I see the sign and tremble", "It doesn't
suffice", Images, Vol 12, #1, 1986, p. 11.
"Love like a ticking bomb", Cotton Boll/Atlanta
Review, Vol. II, #1, Fall 1986, p.62.
"The ram's horn sounding", Tikkun, Vol. 1,
#2, 1986, p. 94-95.
"It grows on you", Painted Bride Quarterly,
#29, August 1986, p. 31.
"Nocturne", New Letters, Vol. 53, #1, Fall
1986, p.30-31.
"I saw her dancing", Woman of Power, #5, Winter
1987, p.76.
"Vegetable love", "Morning love song",
Yellow Silk, #22, Spring 1987, p4-5.
"The last day of exile winds upward", COTTON
BOLL/Atlanta Review, Vol. II, #2, Winter, 1987,
p.52-3.
"Romantic landscapes are ecologically unsound",
Quarry West, #23, 1987, p.10-11.
"Litter","Perfect Weather", South
Coast Poetry Journal, #2, Fall 1986, p.24-27.
"Nishmat", New Menorah, Second Series, #8,
1987, p.1.
"Baboons in the perennial bed", "The
whole that is made of wanting", "The housing
project at
Drancy", "The fecund complain they are not
honored", Negative Capability, Vol. 6, #4, Fall
1986.
"Moon of the mother turtle", "In the
dark all cats fly", Kalliope, Vol 9, #1, 1987,
p.4-5.
"The carrot", "Raisin pumpernickel",
Lips, #13, 1987, p.54-56.
"At the new moon: Rosh Hodesh", Tikkun, Vol.2,
#3, July/August 1987, p.32.
"A great wind from somewhere", Slant, Vol.1,
Summer 1987, p.100.
"Joy Road and Livernois", Open Places, Summer
1987, p.66-69.
"Font-de-gaume", "Edges of emptiness",
Croton Review, #10, Spring/Summer 1987, p. 5.
"Le Sacre du Printemps", The Massachusetts
Review, Vol. 28, #2, Summer 1987, p. 193-196.
"Sun-day poacher", Kalliope, Vol. 9, #3, p.
52-53.
"We pass each other", "The pain came
back like something sharp in my eye", Images, Vol.
13, #1,
1987, p.3, p.5.
"Open to the sky", Quarry West, #24, 1987,
p. 45.
"What crosses over", Poets On:, Vol. 12, #1,
Winter 1988, p.9.
"Softly during the night", Zone 3, Vol. 3
#1, Winter 1988, cover page.
"Available light", "After the corn moon",
"Avebury", "Up and out", Manhattan
Poetry Review, #10,
Jan. 1988, p. 4-13.
"The heart's clock", "The possession",
"The wind changes around", Images, Vol. 13,
#2, 1988, p.8, 12.
"Black Mountain", Tikkun, Vol. 3, #3, May/June
1988, inside front cover.
"A low perspective", Lips, #14, Spring 1988,
p.1.
"Practicing with the windows open", Slant,
Vol. 2, Summer 1988, page v. "Yellow, red, blue",
Poets On:, Vol. 12, #2, Summer 1988, p.8.
"Toward a sudden silence", "Frog song",
The Poets Perspective, Vol.1, Issue 3, #3, Summer 1988,
p.10.
"The diminishing addition", "A line of
dancers through time", Croton Review, #11, Spring/Summer
1988, p. 44-45.
"How the full moon wakes you", The '89 Lunar
Calendar, 13th Edition, Luna Press.
"The answer to all problems", Sometimes the
Cow Kick Your Head: Light Year '88/9, Bits Press,
1988, p. 45.
"The truth according to Ludd", Columbia, #13,
1988, p.6.
"A touch of flame", "Fox grapes",
"Midsummer night's stroll", Calapooya Collage
#12, p.3.
"Bite into the onion", Organic Gardening,
Vol. 36, #1, January 1989, p.78.
"Underwater breathing", Woman of Power, #12,
Winter 1989, p.49.
"The whale we are", The Creative Woman, Vol.
9, #3, Winter 1989, p.28.
"Hot, hotter", Yellow Silk, Issue 29, Spring,
1989, p.4.
"The ex in the supermarket", The Sow's Ear,
Vol.1, #2, Spring 1989, p.2.
"Turtle sense", "The trail of fears",
Tsunami, Vol.2, #2, Spring 1989, p.2-3.
"Detroit, summer camp", "The cat's song",
"Recombinant", Matrix, #28, Spring 1989, p.
25.
"Subtle commands of the earth", Images, Vol.
14, #1, 1989, p.10.
"Waking up with my ears ringing", "Cast
skins", Visions International, #30, 10th Anniversary
Celebration, Black Buzzard Press, 1989, on fold (no
pg.#s)
"Persimmon pudding", "First day out of
bed", American Poetry Review, Vol. 18, #4, July/August
1989, p. 18.
"Bell song", "For the love of sand",
"Early snow come and gone", Chiron Review,
Vol. VIII, #2,
Summer 1989, p. 5.
"For Mars and her children returning in March",
Cape Cod Driftlines, Vol. 4, #3, August 1989, p.9.
"Runt vigor", Organic Gardening, Vol. 36,
#9, Oct. 1989, p.60.
"Some blessings", Kol Haneshamah: Shabbat
Eve, The Reconstructionist Press, 1989, p. 4.
"The ark of consequence", Tikkun, Vol. 4,
#5, Sept./Oct. 1989, frontispiece.
"The price of the body", "Like little
firecrackers in the brain", Caprice, October 16,
1989, pp.7-12.
"Havdalah", "Meditation on reading the
Torah", Kalliope, Vol. 11, #3, 1989, pgs. 6-8.
"Of the patience called forth by transition",
Caprice, November 1989, p.7.
"It arrives suddenly and carries us off as usual",
Nightsun, #9, Fall 1989, p. 27.
"The ex in the supermarket", "Peeled
after flu", Cousin,cousine", Key West Review,
Vol 2, #1&2, Fall
& Winter 1989, pgs.16-18.
"Shad blow", "January, 3 p.m.",
"Dreaming the frog's sleep", Poetry East,
#28, Fall 1989, pgs.
131-135.
"Your eyes recall me from chaos", "Sexual
selection among birds", "The seduction of
anticipated pain",
"In June all things wake fully", The Taos
Review, #2, 1990, pgs. 92-95.
"The same place struck again", "Beaver
shot", Footwork: The Paterson Literary Review '89,
p. 5.
"The Book of Ruth and Naomi", Tikkun, Vol.5,
#3, May/June 1990, frontispiece.
"Pokeweed", Slant, Vol. IV, Summer 1990, p.
98.
"Old shoes", "Yearning to repossess the
body", Colorado Review, Vol. XVII, #1, Spring/Summer
1990, pgs. 88-89.
"Detroit means strait", Sycamore Review, Vol.
2, #2, 1990, p.2.
"Spinning my wheels", "June 21 at 9:30",
Kalliope, Vol.XII, #2, 1990, p.14-15.
"A cold hand on the spine", "Shabbat
momemt", "We speak of seeing the heron, as
if there were
only one", "It ain't heavy, it's my purse,
"A newly sharpened wind", Calapooya Collage
14,
August 1990, p.32-33.
"Your father's fourth heart attack", Poets
On: Arrivals,Vol. 14, #2, Summer, 1990, p.8-9.
"For each age, its amulet", Ms. September/October
1990, Vol. 1, #2, p.32.
"Heel should not be an insult", Michigan Quarterly
Review, Vol. XXIX, #4, Fall 1990, p.651.
"The cat's song", "We speak of seeing
the heron, as if there were only one", Cape Cod
Driftlines,
Vol. 5, #4, August 1990, p.7.
"The 31st of March", Boston Review, Vol. XVI,
#1, February 1991, p.15.
"Imaging", "Wet", The Gopherwood
Review, 1991, p.8, p.27.
"Beauty I would suffer for", Caprice, April,
1991, p.55.
"When too much is barely enough", Caprice,
May 20, 1991, p.7.
"Putting the gardens to sleep", Country Journal,
July/August, 1991, p.21.
"Yearning to repossess the body", "Off
season rental", Visions International, Number 36,
1991.
"Domestic danger", Sycamore Review, Vol. 3,
No. 2, Purdue University, 1991, p.37
"The accident site", "If we can't find
it we make it", Caprice, July 1991, pps. 31-32.
"I have always been poor at flirting", The
task never completed", Calapooya Collage 15, August
1991.
"Core memory", "Returning to the Cemetery
in the Old Prague Ghetto, Frontiers: A Journal of
Women's Studies, Vol. XII, No. 2, pps. 137-140.
"Labyrinthine dizziness", "After the
wind abated, he walked out and died", The Plum
Review,
Number 2, Fall/Winter 1991, pps. 26-29.
"The Ordeal of Woden's Daughter", Caprice,
Nov. 1991, pps. 32-34.
"Little Pischna Revisited", "March comes
in on cleft hooves", "Woman in the bushes",
River Styx
Number 35, 1991, pps. 17-20.
"Dream of white poppies", The Gopherwood Review,
Fall 1991, p.5.
"The hunger moon", 1992 Lunar Calendar, Luna
Press, 1992.
"Up and out", Manhattan Poetry Review 10,
January 1988, pps. 4-13.
"Applesauce for Eve", Ms., Vol. II, Number
4, Jan./Feb. 1992, inside front cover.
"For strong women", Canadian Womas Studies/les
cahiers de la femme, Vol. 12, Number 1, Dec.
1991, p.121.
"The man with too many women in his life",
Poets On: Fifteenth Anniversary Issue, Winter 1992,
p. 16.
"An old pain turns to inferior pleasure",
Caprice, Jan. 1992, p.7.
"Do not erect the wall before yourselves",
Visions International, Number 38, 1992.
"The Consumer", The Witness, March 1992, p.7.
"The flying Jew", Tikkun, March/April 1992,
inside front cover.
"Anxiety wins a round", Heaven Bone, Issue
#9, Winter/Spring 1991-92,p.2.
"Feeling quite temporary", "For she is
a tree of life", The Taos Review, No. 5, 1991,
p.17.
"The art of blessing the day", "The negative
ion dance", "On the trail of the broken spine",
"On
guard", "Half vulture, half eagle", Verve:
"Wounds/Healing", Vol. 4, No. 1, Spring 1992,
pps. 2-7.
"Crow babies", Poets On: Offspring, Summer
1992, p.18.
"A little monument", South Coast Poetry Journal,
issue #13, June 1993, p.48.
"Syzygy", The `93 Lunar Calendar, 17th annual
edition, Luna Press, 1992.
"Salt in the afternoon", Yellow Silk, Summer/Fall
1992, p.4.
"A quick and quiet one", "Ancient wood",
Verve, Vol.4, No.3, Fall 1992, p.20-21.
"The real hearth ", Caprice, June 1992, p.7.
"Belly good", Kalliope: Women's Body Images,
Vol. XIV, No.3, 1992, p.8-9.
"Sh'ma" and "Kaddish",Kerem: Creative
Explorations in Judaism, Winter 1992-93, pps. 21-23.
"The joys of a bad reputation", "The
price begins to mount", Caprice, July 1992, pps.
7-10.
"Syzygy", "The price begins to mount",
"The art of blessing the day", Orbis, No.
86 Autumn 1992,
Special American Issue, pps.50-53.
"The puzzle", Poet's On: Coupling, Vol.17,
Number 1, Winter 1993, p.8.
"A penetrating cold", The Southern California
Anthology, Vol. X, 1993, p. 116.
"Blizzard in March", Caprice, July 1993, p.7.
"Moonburn", "All systems are up",
Verve, Summer 1993, pps. 20-21.
"Between two hamlets", "Too soon to be
true", Cream City Review, Vol.17, No. 2, Fall 1993,pps.
184-
187.
"Thousands of morning moths", The Plum Review,
Number 5, Spring/Summer 1993, p.29.
"That eye is wide open", "The visitation",
"The world from below", "Separation Anxiety
Nocturne",
Calapooya Collage 17, August 1993, p.3.
"What she tells herself before dialing the number
she never has to look up", Painted Bride Quarterly:
A Poetry Retrospective 1973-1993, Double Issue 50/51,
1993, p.81.
"Breadcrumbs", "Coming up on September",
Tikkun Vol.8, Num.5, 1993, inside front cover.
"In June the young deer are almost tame",
"Green anachronism", "Dream of order
at the carnival",
Outlet, Summer 1993, Loras College p. 5-8.
"My rich uncle, whom I only met three times",
"Art for art's sake", "The mystery of
the flies",
Chiron Review, Vol. XI, Spring 1992, p. 3.
"The new Rock Island Line", Caprice, September
1993, p. 33.
"After the Operation", Caprice, October 1993,
p. 7.
"Dance of the trees", Verve, Vol. 6, No.1,
Spring 1994, p. 2.
"The Music Wars", Visions International, Number
45, July 1994.
"The Retreat", Death of a doe on Chequesset
Neck", "October Sizzles", Heaven Bone,
Issue #11,
Spring 1994, pp. 3, 4, 86.
"Brother-Less One: Sun God", "Brother-Less
Two: Palimpsest", Brother-Less Three: Never Good
Enough", "Brother-Less Four: Liars Dance",
"Brother-Less Five: Truth As A Cloud of
Moths", "Brother-Less Six: Unconversation",
"Brother-Less Seven: End-Less End", Calapooya
Collage, No. 18, August 1994.
"The Mean," Verve, Vol. 6, No. 2, Fall 1994.
"The white stasis" and "I am not a house",
Negative Capability, Vol. XIV, No. 1&2, 1994.
"How easy is forgetfulness" and "I lost
my head in San Francisco", Caprice, August 1994.
"Too bad you came in late," Many Mountains
Moving, December 1994.
"Dealing with the pieces," Poets On: Coping,
Vol. 19, No. 1, Winter 1995.
"Body of Discontent", and "A warm place
becomes a cold place," Chiron Review, #42,
Spring 1995.
"Little Acts of Love," and "Coldest of
Goodbyes" and Under the Knife," Verve, The
First Time,
Volume 7, No.1, Spring 1995.
"Your Standard Mid Life Crisis", The Seattle
Review, Volume XVII, Number 2, Fall/Winter 1994.
"Accusation", Bombay Gin, Vol.3, No.1, 1995.
"The Voice of the Grackle", The Massachusetts
Review, Vol.XXXVI, No.2, Summer 1995.
"Growing Up Haunted", Tikkun, Vol.10, No.4,
July/Aug 1995.
"September Eclipse", The 1996 Lunar Calendar,
20th Annual Edition.
"The Grey Flannel Sexual Harassment Suit",
On the Issues, Vol.IV, No.4, Fall 1995.
"Targets", "On The Road In Middle Age",
"Coronation in Kingston", "A Twitch in
Time", Verve, Vol.
7, No. 2, Fall 1995.
"Liars' Dice",The Southern California Anthology,
Vol. XII, 1995.
"Matzo Poem", Davka, Vol. 1, No. 1, Winter
1996.
"Diana Inaccessible", Ararat, Vol. XXXV1,
Autumn 1995.
"The Thief", Caprice, Sept. 1995.
"The Fundamental Truth", TIKKUN, Vol. II,
No. 1, Jan. 1 1996.
"One bird, if there is only one, dies in the night",
"In the house of Three A.M.", Footwork: The
Paterson
Literary Review, 1995.
"Reshaping Each Other", Nightsun, Issue 15,
Fall 1995.
"Age comes to Colette", Caprice, October 1995.
"All Day All Night Talk Radio," Poets On:,
Vol. 20, No. 1, Winter, 1996.
"What Are Big Girls Made Of?", On the Issues,
Spring, 1996
"Onset of darkness," collision 2, 1994/2
"The weather channel strikes again," collision
2, 1994/2
"Elegy in rock, for Audre Lorde", The Women's
Review of Books, Vol. X, No.6,
March 1993
"Half vulture, half eagle", Verve, "Wounds/Healing",
Vol.4, No. 1, Spring, 1992
"On guard", Verve: "Wounds/Healing, Vol.
4, No. 1, Spring, 1992
"February White Blues" Caprice, Dec. 1996.
"Thingama-Jig" Caprice, Jan. 1996.
"I vow to sleep through it", "My boa",
"Hors d'oeuvres spring" Chiron Review, Issue
46-47, Spring
Summer, 1996.
"Fogged in", Plum Review, Anniversary Issue,
1996.
"Marriage in winter", "After the darkness",
"Vision of lost ladies", "Severn at ten",
Connecticut
Review, Fall 1996.
"Charoset", Jewish Women's Literary Annual,
Vol. I, No. 2, 1996.
"In the grip of the solstice", "Daughter
of the vine", "Spring fever, about 1040","Woman
in a shoe",
Verve, Fall, 96.
"Opera" and "Orion", in Orbis, 100th
issue, 1996.
"Too much May, not enough June" and "All
lovers have secret names", Caprice.
"Spring Fever about 104", "Daughter of
the Vine", "Woman in a shoe", "In
the grip of the solstice"
Verve, vol 8, no.2
"One reason I like opera", "Hunting the
hunter", Orbis, 100 Anniversary Issue, 1996.
"A day in the life", 13th Moon, Vol.XIV, nos.
1&2.
"Visitation at Dartmoor", "Severn at
ten", Sunscripts, 1996.
"The good old days at home sweet home", On
the Issues, Spring 1997, Vol. VI.
"Slivers of Fear", Fireweed, Late Winter 1996,
Issue 56.
"In the grip of the solstice", "Slivers
of fear", "Marriage in winter", Paterson
Literary Review, Issue No. 26, 1997.
"Learning to Read", Tikkun, Vol. 12, No. 2,
1996.
"Habit encrusts", "Hunting the hunter",
"The Wicked Stepmother", The Southern California
Anthology, Vol. XIII, 1996.
"A lonely dog’s nocturne, "The correct
way of worshipping cats", New Letters, Vol. 63,
No. 1, 1997.
"The dangerous friend, "You lose yourself",
"In the long run", Caprice, September, 1996
"The dawn of nothing" and "Roomers, rumors",
Verve, Vol. 9, No. 1 Spring 1997.
"Thou shalt not complain about anything I might
have to fix", On the Issues, Summer 1997.
"To be of use", Yale Law Journal, Vol. 106,
December 1996, Number 3.
"The world unbandaged", Free Lunch, Vol. 18,
Spring 1997.
"The yellow light" , The Massachusetts Review,
Vol. XXXVIII, No. 2, Summer 1997.
"One reason I like opera" poetry international,
No. 1, 1997.
"Seven horses" "Silence honed to a weapon
at last", "Turn about", The Southern
California Anthology, Vol. XIV.
"The fundamental truth", The Witness, Vol.
80, Number 10, Oct. 1997.
"Not sold in any store", "Black taffeta",
"Chilled through", "Every little Odyssey",
Caprice, Dec. 1997.
"Karpas", "Familiarity’s curse".
"Worlds without end", "The true patriot",
Prairie Schooner, Winter 1997.
"The party", "On Shabbat she dances in
the candle flames", Montserrat Review, Vol. 1,
Spring 1998.
"Wise dreaming", "Doppelgangers",
and "The new era c. 1946", Calapooya 19, 1998.
"Archeology", "Sitting with the turtle",
"The bones of night", "The well preserved
man", "The daughter of fur", "Whose
house this is", Chiron Review, Issue No. 53, Spring,
1998.
"Flying over the Nebraska of my life", "Planting
Peas in March Mud", Kenyon Review, Vol. XX, No.
2, Spring 1998.
"The gardener’s litany", "Not in
the dark", Verve, Vol. 10, No. 1, Spring 1998.
"Unexpected bloom", Connecticut Review Vol.
XX, No. 1 Spring 1998.
"Intrusion", "Dirty old century",
"One February morning in Wellfleet", Coe Review,
Issue 28, 1998.
"Hunting the Hunter" , "Turn about"
Evansville Review, Volume 8, 1998 (With acknowledgment
to the Southern California anthology).
"The grammatical difference between lay and lie",
"The first time I tasted you", "Yahzeit",
"The catbird and I", River City , Double Issue
Vol. 18 No. 2, Vol. 19, No. 1, Summer 1998.
"Walking out at 2 A.M.", "Boston in March",
"Inside the Nor’easter", "I am
addicted to the weather", Patterson Literary Review,
No. 27, Summer 1998.
"The Young and the Stupid", "Family Values",
"In the beginning, darkness", Caprice, August
’98.
"Traveling Dream", Seattle Review, Vol. XX
Number 1, 1998.
"The name of that country is lonesome", "Still
the desert", "From the shadows", Verve
Vol. 10, No. 2, Fall 1998
"Too long dead", "Flea Market in August",
"What she craved". Kalliope, Vol. 20, No.
3, 1998
"They leave at last", "They give them
all human names", Cape Women, Winter Spring 1999,
Vol. 1 Number 2.0
"They called them vacant lots", "Seder
with comet", "Burnishing Memory", Green
Mountains Review, Vol. 11, Number 2, Fall/Winter 1998-99.
"Storm out of season", Nightsun No. 18, Fall
1998.
"Inland Seas", "Summer Cottages for rent",
The Montserrat Review, Vol. 1 No. 2, Autumn 1998.
"Lettuce in rebellion", "Lamb Shank",
"Salt Waters", Tikkun, March/April, 1999.
"To build a fire", "Sleep cracked open",
Urban Spaghetti, Vol. 1 Issue 1, 1999.
"Always unsuitable", Her body inscribes",
"As the runners creak", Prairie Schooner,
Spring 1999.
" Deep freeze", Maine Times, Vol. 31, No.
17, Feb. 1999.
"Jolly woman with birds", "The aunt I
wanted to be", "The stand off", Chiron
Review, Issue #57, Spring 1999.
"Snowflakes my mother called them", Kerem,
Number 6, Spring 1999.
"The Rabbi’s granddaughter and the Christmas
Tree", Kalliope, Vol. XXI, Number 1, Spring 1999.
"Taking down the oak", "The appropriate
use for a lawn ornament", Buckle &, Spring/Summer
1999.
"Fagged out", "Jury Duty", "Efi,
the chocolate point", Caprice, January 1999.
"The stand off", "The surfeit",
"Dazzle", "Crawling over Sonora, 115
degrees", Paterson Literary Review, No. 28, Summer,
1999.
"What I know so far", Maine Times, Vol. 32,
No. 5, June 10, 1999.
"The aria", "The trophy", Kalliope,
Vol. XXI, No. 2, 1999.
"Sometimes while I’m chanting", Visions
# 60, 20th Anniversary Issue, 1999.
"Hot jewels", "Kneeling at the sea’s
edge", CapeWomen, Summer/Fall 1999, Vol. 2, No.
1
"Rising in perilous hope", "A pot of
rosemary", River City, Vol. 19, No. 2, Summer 1999.
"Betrayed by the weather channel", Caprice,
March 1999.
"Promises whispered in ice", The Lunar Calendar,
2000, poem accompanies March
"Long time, no", Maine Times, Vol. 32, No.
19, Sept 16-22, 1999
"Mexico City, 1968, summer", "Colors
passing through us", "Surrounded by an invisible
sea", "The streets of Detroit were lined with
elms", The Southern California Anthology, Volume
XVI, Fall, 1999.
"The park brochures said, stay on the trails",
The Coe Review, issue 29, 1999.
"Winter promises", JOE, Volume 1, Number 3,
1999.
"Sins of omission", "My mother gives
me her recipe", Calyx, Vol. 19, No. 1, Winter 1999-2000.
"Her lecture", Calapooya Literary review,
Vol. 20 Annual, October 1999.
"Vanity, vanity", Tin House, Vol. 1, No. 3,
2000.
"The corner", The Montserrat Review, Issue
3, 2000.
"Dignity", The Chiron Review, Issue #61, Spring
2000.
"Velvet prince", "Phantom pain",
"Like brownian movement in a beaker of liquid",
Caprice, Early Spring 2000, XIV:1
"Attempt at autobiography", "Firebird",
"Is that rain or wind in the trees?", "Minor
Losses", Paterson Literary Review, Issue 29.
"The equinox rush", Many Mountains Moving,
10th issue, Vol. IV, No. 1
"The long and the short of it", Earth’s
Daughters, Issue #55, Sept. 2000.
"Sandpaper whispers", The Maine Times, August
24, 2000.
"Something so sharp," "The disintegration,"
Kalliope, Vol. XXII, No. 3, 2000.
"Nor’easter blowhard," "Night without
power," "Morning after," Connecticut
Review,Vol. XXII, No. 2, Fall, 2000
"Lines drawn, Southwest Review, Vol. 85, No. 3,
2000
"Ways through," "In second growth woods,"
Poetry International, Issue IV, 2000
On line magazines:
"I awake feathered," "Quarrel in the
berry patch," "Oh, Veblen, this is much better,"
"Old moon cradling the new moon," "A
kind of theft," The Cortland Review 2000
Broadsides and Chapbooks
"To be of use"
"When the drouth broke", Unicorn Press
"A work of artifice", Red Hanrahan Press,
Detroit, 1972
"When a friend dies"
"Short season"--Folger Shakespeare Library
broadside
"Closing"
"For shelter and beyond", Woman's Day broadside,
August 26, 1976.
"The world comes back, like an old cat"
"The faithless", illustrated by David Diaz,
E.P. Wilson Letterpress, 1988.
"Softly during the night", printed by Zone
3, Winter, 1988.
"In the dark all cats fly", Iron Mountain
Press broadside, 1988.
"For the young who want to", The Zoland Books
Poetry Postcard Collection, 1989.
"To be of use", broadside for Commonwork awards,
City of Boston Emergency Shelter
Commission, 1989.
"A work of artifice", produced by San Antonio
N.O.W.
"Coming up on September", ALEPH, illustrated
by Jackie Olenick.
"The art of blessing the day", illustrations
by Nan Fornfeld, The Silver Buckle Press, March 1993.
"For shelter and beyond",
"The Faithless", illustrated by David Diaz.
"Mourner’s Kaddish" Renew our Days:
A Book of Jewish Prayer & Meditation, ed. by Rabbi
Ronald Aigen, (Congregation dorshei Emet, the Reconstructionis
Synagogue of Montreal) 1996.
Available on Tape:
Marge Piercy: Poems: l2 poems, some recorded in l968,
some in 1969, by Radio Free People, l33 Mercer
St., NYC, l00l2; time: 30 minutes.
Laying down the Tower: sequence of ll poems record in
1972, by Radio Free People, NYC; time: 30
minutes (Both items on tape and cassette).
Laying down the Tower: also included in Black Box #l,
cassette mag, 1972.
Reclaiming Ourselves: Radio Free People, NYC, 1973.
Marge Piercy reading her poems, sometimes
alone, sometimes with guitar accompaniment, and Painted
Women's Ritual Theater with Jeriann
Hilderley performing some of her songs.
Reading and Thoughts: Marge Piercy, Women's Studies
Series, Everett/Edwards, Inc., Deland,
Florida, recording.
At the core: Cassette of reading, by Watershed Tapes,
Washington, D.C. 1976.
RECORD: Atomic Love, Katzberg and Snyder, "What's
That Smell in the Kitchen?" from CIRCLES
ON THE WATER, read by Kate Katzberg, Manufactured at
A&R Records, Dallas, TX, recorded at
Celebration Sounds, Pawtucket, RI, 1983.
Reading of exerpts from BRAIDED LIVES and WOMAN ON THE
EDGE OF TIME and poetry, 65
minutes, cassette, American Audio Prose Library, Columbia,
MO, 1986.
Interview, 60 minutes, cassette, American Audio Prose
Library, 1986.
Interview and poetry reading, New Letters on the Air,
University of Missouri-Kansas City, 1989, 30
minutes.
COMPACT DISC: Rosalie Sorrels, Be careful, there's a
baby in the house, 1991, Green Linnet
Records, Inc., "Right to life".
Audiobook, THE LONGINGS OF WOMEN, Time Warner, 3 hours,
1994.
BBC Radio Drama, BODY OF GLASS, broadcast June 10, 1995,
90 minutes.
Woman’s Hour Poetry Collection, cassette of reading
, "What’s that smell in the kitchen"
from CIRCLES ON THE WATER, produced by Pat McLoughlin,
A BBC/Penguin Book.
"The book of Ruth and Naomi" from Mars and
Her Children included in the oratorio women of valor
by Andrea clearfield, 1999.
Videotapes
Filmed at the Dodge Poetry Festival, New Jersey, September,
1998:
"Sounds of Poetry with Bill Moyers" Show #3,
Public Affairs Television 8/11/99 devoted to Marge Piercy
poetry and an interview with Marge Piercy.
"Fooling with Words with Bill Moyers", aired
on Sunday, September 26, 1999, Public Affairs Television.
Electronic Book
GONE TO SOLDIERS, (for Macintosh PowerBooks), The Voyager
Co., Santa Monica, CA.
Short Fiction
"An Excerpt from Maud Awake", December Magazine,
Winter 1963.
"Going over Jordan", Transatlantic Review,
Vol 22, Fall 1966, pp.148-157.
An excerpt from "Maude Awake", The Bold New
Women, 1965.
"Love Me Tonight, God", Paris Review, Summer
1968.
"Do you love me?" The Second Wave, Vol. l,
#4, 1972, pp.26-27,40.
"Dynastic Encounter", Aphra, Vol.1, #3, Spring
1970, pp.3-10.
An excerpt from "Maude Awake", Modern Girl,
August 197l, pp.22-27.
"And I went into the Garden of Love", Off
Our Backs, Summer 1971.
"The Happiest Day of a Woman's Life", Works
in Progress, #7, 1972, pp.284-303.
"Somebody who Understands You", Moving Out,
Vol 2, #2, 1972.
"Marriage is a matter of Give and Take", Parts
l, II, The Boston Phoenix, July 3, 1973, pp.1,5,6,12,
July l0, 1973, p.14.
"The Women's House", excerpt from SMALL CHANGES,
Aphra, Vol.4, Number 3, summer
1973, pps.33-45.
"Like a Great Door Closing Suddenly", Detroit
Discovery, Mar/Apr. 1974.
"Little Sister, Cat and Mouse", The Second
Wave, Vol 3, #l, Fall 1973, pp.9-12,41.
"God`s Blood", Anon, #8, 1974, pp.50-59.
Excerpt from WOMAN ON THE EDGE OF TIME, Aurora:Beyond
Equality, 1976, pp.182-217.
"The Retreat", Provincetown Poets, Vol. 2,
#2,3, 1976, pp.9-11.
"A Dynastic Encounter", In The Looking Glass,
1977.
"What Can Be Had", Chrysalis, #4, l977, pp.49-57.
"The Cowbird in the Eagles' Nest", MAENAD,
Vol. l, #l, Fall 1980.
"Where I Force Myself on Myself and Begin",(excerpt
from BRAIDED LIVES), The Human Crowd,
Minnesota Review Press, Bloomington, Ind., 1981, pp.120-128.
"I Will Not Describe What I Did," Mother Jones,
Vol. VII, #ll, Feb/Mar. 1982, pp.44-56.
"Spring in the Arboretum" Michigan Quarterly
Review, Vol 2l, #l, Winter 1982.
"Of Chilblains and Rotten Rutabagas", Lilith,
#12-13, Winter-Spring 1985/1986, pp.9- 12.
"Naomi/Nadine Is Only Half", (exerpt from
GONE TO SOLDIERS), FORUM, University of
Cincinnati Center for Women's Studies, Vol. 12, #3/4,
Spring/Summer 1986, pp. 1,10,11,19.
"Becoming a Mouse", (exerpt from THE LONGINGS
OF WOMEN), New England Review,
Volume 15, Number 4, Fall 1993, pp. 108-115.
"The Fall" Ms., Volume IV, Number 5, March/April
1994, pp. 64-69.
"From He, She & It" The Oy of Sex: Jewish
Women Write Erotica, Edited by Marcy Sheiner, Cleis
Press, 1999.
Essays and Reviews
"Beginning to Begin to Begin" (with Bob Gottlieb)
Radicals in the Professions Newsletter, June 1968.
"The Foreign Policy Association: 50 Years of Successful
Imperialism, CAW, #1, Feb 1968, pp.6-10.
"The Grand Coolie Damn", Leviathan, November
1969.
"Women's Liberation: Nobody`s Baby Now", Defiance,
#l, 1970, pp.134-162.
"Tom Eliot Meets the Hulk at Little Big Horn: The
Political Economy of Poetry, (with Dick Lourie),
Triquarterly: Literature in Revolution, #23/24, Spring
1972, pp.57-91.
"A Review of Vol II, III, of "Children of
Crisis", by Robert Coles", The New York Times
Book Review,
February l3, l972.
Review of Daughters of the Moon by Joan Haggerty and
Memoirs of an Ex-Prom Queen, by Alix
Kates Shulman, The Second Wave, Vol 2, #l, 1972, p46.
"Getting Together: How to Start a Women's Liberation
Group" (With Jane Freeman), New England
Free Press, 1972.
"Asking for Help is Apt to Kill You", (A Review
of WOMEN AND MADNESS by Phyllis Chesler),
The Village Voice, November 30, 1972.
Review of MONSTER by Robin Morgan, NEW, Vol 2l, Spring/Summer
l973, pp 64-67.
"Books for the Daughters", Margins, #7, August/September
1973, pp.1-2.
"Margaret Atwood: Beyond Victimhood", American
Poetry Review, Nov/Dec 1973.
"Agnes Smedley: Dirt Poor Daughter of Earth, The
New Republic, l1/l4/75.
"It's High Time", Provincetown Advocate, November
2l, l974.
"Through the Cracks: Growing up in the 50's",
Partisan Review, Vol. 4l, #2, 1974.
"Gritty Places and Strong Women"; a Review
of THE DIVINERS by Margaret Lawrence, The New
York Times Book Review, June 23, 1974.
"The White Christmas Blues", Provincetown
Advocate, l/9/75, (with Uta West)
"Writer's Choice" Partisan Review, Vol. 42,
#1, 1975.
"From Where I Work: A Column (Audre Lorde), American
Poetry Review, Vol 5, #1, Mar/Apr.
1976.
"It's High Time", Provincetown Advocate, 4/l7
and 5/22, 1975.
Untitled essay, Poets on Stage: The Some Symposium on
Poetry Readings, 1978, pp.26-29.
"A Reviewof Alice Walker's MERIDIAN, The New York
Times Book Review: May 23, 1976.
"From Where I Work: A column", American Poetry
Review, Vol 5, #5, 1976.
"From Where I Work: A column", (Joanna Russ),
American Poetry Review, Vol 6, #3, 1977.
"A Rich Gift for Us", Review of OF WOMAN BORN,
Adrienne Rich, Sojourner, December 1976.
From "A Fish Needs a Bicycle: Responses to a Questionnaire
on Marxism and the Arts," The
Minnesota Review, n.s. 9, Fall 1977.
"A Fuller Life", Review of Margaret Fuller's
biography THE WOMAN AND THE MYTH, by Ball
Gale Chevigny, Seven Days, June 1977.
"Shining Daughters", Review of Joanna Russ'
THE TWO OF THEM and KITTATINNY, for
Sojourner, October 1978, p.14.
"Other Planets, Other Cats", Review of MOTHERLINES
by Suzy McKee Charnas; WATCHTOWER
by Elizabeth Lynn; and GODSFIRE by Cynthia Felice, for
Sojourner, April 1979.
"Small Cameos, a grand portrait, and twilight sketches",
a review of Doris Lessing's book STORIES
for Chicago Tribune BOOK WORLD, May 14, 1978.
"Contemplating past youth, present age", a
review of Robert Penn Warren's book NOW AND
THEN POEMS 1976-1978, for Chicago Tribune BOOK WORLD,
Sept. 1978.
"Feminist Perspectives 1978": Sojourner, Vol.
4, #5, January 1979.
"The Feminist Gospel According to Adrienne Rich",
a review of ON LIES, SECRETS AND SILENCE
by Adrienne Rich, for Chicago Tribune BOOK WORLD, April
l5, 1979, pp.1-2.
"A touching detective story: Who really killed
Rosie at 27?" a review of ROSIE by Ellen Frankfort
for
Chicago Tribune BOOK WORLD, June ll, l979.
"The Houses of Susan Fromberg Schaeffer";
a review of THE QUEEN OF EGYPT and THE
BIBLE OF THE BEASTS OF THE LITTLE FIELD, for Chicago
Tribune BOOK WORLD,
January 27, 1980.
"Doris Lessing and the Days of Darkness";
a review of SHIKASTA by Doris Lessing, for the
WASHINGTON POST, November 4, 1979, p.5.
"Hellman: twilight memories of a dramatist",
a review of Lillian Hellman's MAYBE, for Chicago
Tribune BOOK WORLD, May ll, l980.
"Tom Robbins with a bad case of the cutes";
a review of STILL LIFE WITH WOODPECKER by
Tom Robbins for Chicago Tribune BOOK WORLD, September
l4, 1980.
"Sacrificed to the Mills of Fate", a review
of EMMELINE by Judith Rosser, for THE
WASHINGTON POST, September l4, 1980, pp.3,15.
"A historian obsessed by ghosts of past",
a review of THE CHANEYSVILLE INCIDENT by David
Bradley, for Chicago Tribune BOOK WORLD, April 26, 198l.
"The Little Nuances of History", a review
of YOU CAN'T KEEP A GOOD WOMAN DOWN, by Alice
Walker, for The Washington Post BOOK WORLD, May 31,
198l, p.11.
Essay, Symposium: From the 60's to the 80's, Cultural
Correspondence No. 12-14, p.37.
"Godwin details strains, stresses of family life",
a review of A MOTHER AND TWO
DAUGHTERS by Gail Godwin, for Chicago Tribune BOOK WORLD,
January 10, 1982.
A Review of WHO KILLED KAREN SILKWOOD? by Howard Kohn,
for Sojourner, December
198l.
"Inviting the Muse", Negative Capability,
Vol II, #l, Winter 1982.
"Fame, Fortune and Other Tawdry Illusions",
Boston Review, Vol 6, #l, February 1982.
"Interview with Ira Wood and Marge Piercy"
Pulp, Vol 8, #1, 1982.
ZAMI: A NEW SPELLING OF MY NAME and CHOSEN POEMS, OLD
AND NEW, by Audre
Lorde, reviewed in 13th Moon, Volume VII, Numbers 1
& 2, 1983.
KEEPER OF ACCOUNTS by Irena Klepfisz, reviewed by Marge
Piercy, American Book Review,
Volume 5, Number 6, September-October 1983.
"MYSTERIES OF MOTION" by Hortense Calisher,
reviewed in The Washington Post, December 31,
1983,p. C2.
"Forward" to The Zanzibar Cat by Joanna Russ,
Arkham House, 1983.
"On Being a Jewish Feminist", The Women's
Review of Books, Vol. 1, No.5, Feb 1984, pp.5-6.
"The Turn-on of Intimacy",Ms., Vol. XII, February,
1984, pp. 46-48.
"Jewish Identity", SHMATE: A Journal of Progressive
Jewish Thought, Vol. 2 Number 8, Pesach
1984, pp. 25-27.
"Poets on Poetry", Literary Cavalcade, Vol.
37, No. 1, Oct. 1984, pp 24-25.
"Swallow, by D.M. Thomas, Thomas Caught in a Tangled
Web of Stories", Chicago Tribune,
November 25, 1984, Section 14, p. 35.
"Van der Steen's Cats" by J. R. Bruckner,
The New York Times Book Review, February 3, 1985, p.
36.
"Autobiography," Contemporary Authors Autobiography
Series, Dedria Bryfonski, editor, vol. 1,
Gale Research Co, Detroit, 1984, pp.267-281.
"A Well Made Quilt", review of STAR QUILT
by Roberta Hill Whiteman, in American Book
Review, Vol. 8, #2, January-February 1986, p. 17.
"`Light' moves at molasses pace but shines with
passion and intensity", review of SOUTHERN
LIGHT by J.R. Salamanca in Chicago Tribune, August 10,
1986, Section 14, page 47.
Article on the work of Joanna Russ for Contemporary
Novelists, St. James Press, Fourth Edition,
1986, p. 730.
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1987, p.19.
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Vol 274, #1645, June 1987, p.30-32.
"Ship out on a corrupt cruiser in the middle of
World War II", review of TIME AND TIDE by Thomas
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MANUSCRIPT COLLECTION AND ARCHIVES COLLECTION
Marge Piercy Manuscript Collection
University of Michigan
Special
Collections Library, Harlan Hatcher Graduate Library
Curator: Kathryn
L. Beam |